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Senin, 20 April 2009
I LOVE YOU MY BABY
You R'part of my life, you always make me smile and never feel sad beside of u,Tapi aku hanya bisa melihat mu sekali 1 bulan,huuu uh!!!!
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MESJID RAYA BALAI TENGAH LINTAU
Mesjid Raya Balai tengah terletak di Kec.Lintau Utara Kab.Tanah Datar Provinsi Sumatra Barat 30 km dari Batu Sangkar.
comfort to pray
visit there
kolam ikan
dari halaman parkir
The Masjid
comfort to pray
visit there
kolam ikan
dari halaman parkir
The MasjidSabtu, 18 April 2009
Kamis, 16 April 2009
SITUS NONTON LIGA INGGRIS GRATIS ONLINE
Walau di Indonesia susah ngadapetin siaran Liga Inggris,namun buat kamu pecinta liga Inggris kamu tetap bisa kok nonton Liga termahal di dunia itu,ini neh situs nya:
http://www.justin.tv/flash9
cara nya mudah aja,enter aja,truss klik pertandingan yang kamu inginkan tentu nya yang sedang berlangsung di jam dan hari yang sama,dah kliatan dan klik,SELAMAT MENONTON!!!
by: Fadly
ARSENAL GO TO SEMIFINAL UEFA CHAMPIONS LEAGUE
Aku sangat gembira sekali,akhirnya tim kesayangan ku lolos ke semifinal,walau lawan yang akan di hadapi oleh Cesc Fabregas cs adalah Manchester United,tapi aku yakin ke gagalan di Liga Inggris dapat mereka tebus nanti dengan menjuarai ajang paling bergengsi di Eropa tsb.Huhh.. selamat yaaa sahabat-sahabat ku, nasri,theo,cesc,ade,van Persie kalian pasti bisa!!!!!
Rabu, 15 April 2009
JOHN LENNON AND PAUL Mc.CARTNEY
Lennon and McCartney dubbed two of the greatest musicians of the 20th century: this is how the Barbican celebrated both the 25th anniversary of Channel 4 and Howard Goodall’s contribution to its music programming. The screening of Lennon and McCartney, the first part of Howard Goodall’s 20th Century Greats series screened in 2004, followed by a screentalk with Goodall himself, revealed Goodall’s original and iconoclastic understanding of 20th century music.
The Beatles had a gift for melody. Their tunes have the power to stick in one’s mind. A Beatles melody is immediately recognisable by its natural flow, as if it were driven by its own internal dynamic. Listening to a Beatles tune is like listening to our mothers’ whispers when we were babies. The melody is so natural and obvious that we have a strange feeling that it has always been here with us and it could not have been any different. No wonder Goodall draws a parallel between The Beatles and Mozart. The naturalness and simplicity of The Beatles’ music is reminiscent of Mozart’s tunes, in the same way as their early success emulated the Europe-wide success of Mozart’s early compositions.
Progressively though, The Beatles drifted away from the rock’n'roll style over-used and endlessly repeated by most of their counterparts and began exploring new musical avenues. Nothing was left aside in this exploration: harmony, orchestration and rhythm were all revived and transformed by The Beatles’ genius. In Eleanor Rigby, they used a quasi-Baroque string orchestration. The construction of Penny Lane is based on a systematic and very unusual change of keys. In their later albums, they sucessfully incorporated traditional Indian music harmony and Avant-garde techniques used by classical musicians, such as the use of distorted tapes in studios to create new sounds.
Using a variety of musical excerpts combined with its own analysis, Goodall shows how The Beatles developed a more complex and elaborated musical composition. Like great classical musicians, they tapped into the existing musical heritage (whether Western classical or popular music, or Asian traditional music) in order to create a unique and inimitable musical style. Not only did they rescue and renew the Western clasical canon, which had reached a stalemate with the Avant-garde movement, but they also reconciled classical music with popular music into The Beatles symbiosis.
Goodall argues that The Beatles’ music affected both contemporary and later generations of musicians world-wide, irrrespective of their musical background or allegiance to the canon. Not a single musician composing after The Beatles could ignore the deep changes brought by The Beatles to Western music, just as no classical composer after Bach or Mozart could have ignored the innovations they brought to the classical tradition. This is not to say that the pantheon of the 20th greatest musicians should be occupied solely by The Beatles; other names certainly deserve praise, but very few match The Beatles’ special influence on Western music. Goodall’s stance is certainly iconoclastic and it may shock some in more traditional classical music circles. Nonetheless, his argument is faultless and his examples are highly instructive. Compared with his later series How Music Works with Howard Goodall (2006), this one makes greater use of natural landscapes and excerpts from historic performances, which greatly enhances the quality of the production. One can still deplore a few aspects, however, such as the tendency to place classical musicians in either obscure rooms or elegant castle ballrooms… as if classical music cannot be anything but obscure and antique.
While Goodall’s interpretation of The Beatles’ musical legacy is without any doubt valid, there remains an unanswered question, which is what separates great music from average or bad music. The Monkees sang catchy tunes, but the quality of their music never matched that of the Beatles. Is it the use of the pentatonic scale? Is the mere combination of unexpected chords that make I Am the Walrus an incredible song? Talented and less talented musical analysts alike can explain the technical tricks behind a musical composition. And Goodall is surely one of the more talented ones. But merely describing the pillars of a house does not account for the beauty of the whole house. Understanding the sercret cement that transforms a couple of technical tricks into beautiful music is essential. Why will future textbooks of musicology devote dozens of pages of analysis to The Beatles music, while The Monkees will get just a small paragraph if anything? This question is not only for academics locked in their ivory tower. If some maintain that Philip Glass’ music is truly great music, how to account for those who do not see any beauty at all in his compositions? Are the latter uneducated or are the former snobbish? Can national curricula and music classes provide pupils with a set of objective and relevant criteria, enabling them to assess the music they listen to critically?
Goodall’s contribution to reshaping the educational debate about music teaching is courageous. Experiencing and developing a musical sensitivity does not necessarily mean being immersed in the classical canon teaching of music academies. Pupils with interests in traditional Asian and African music, jazz or soul can also develop an adequate understanding of music through various techniques such as listening, singing, practising instruments and so on. But this greater freedom of choice should not mean that all music is to be considered good. Individuals should be given the intellectual tools to develop their judgement, so that they can answer why the The Beatles’ music is better that that of The Monkees’. Alas, neither Goodall nor today’s education policy-makers seem able to answer this crucial problem, for fear that they will not sound politically correct enough…?
ALL YOU NEED IS LOVE by Lennon
Aku tak habis fikir mengapa mereka bisa merangkai kata - kata yang indah pada setiap lagu yang mreka nyanyikan,salah satu nya adalah pada lirik lagu di bawah ini,john dan mc.carney adalah composer terbaik di dunia.I LOVE THIS SONG
The Beatles
Lennon/McCartney
From The Blue Album
Love, love, love, love, love, love, love, love, love.
There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say but you can learn how to play the game
It's easy.
There's nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do but you can learn how to be you
in time - It's easy.
All you need is love, all you need is love,
All you need is love, love, love is all you need.
Love, love, love, love, love, love, love, love, love.
All you need is love, all you need is love,
All you need is love, love, love is all you need.
There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be.
It's easy.
All you need is love, all you need is love,
All you need is love, love, love is all you need.
All you need is love (all together now)
All you need is love (everybody)
All you need is love, love, love is all you need.
Tentang ku
Lahir di sebuah smallville 140 km dari Padang, ibu kota Provinsi Sumatra barat yaitu di Balai tengah kecamatan Lintau Utara Kab. Tanah Datar, 21 desember 1988 silam. Anak ke 2 dari 3 bersaudara.SD hingga SMA di sana,sekarang mahasiswa di UNIVERSITAS NEGRI PADANG (UNP), Jurusan Pendidikan Geografi, Fakultas Ilmu-ilmu sosial.
Secara fisik aku memiliki tinggi 174 cm dan berat 69 kg, kulit Indonesia banget,rambut agak ikal dikit berwarna hitam.Hobby maen bola, maen PS,internetan,denger music dan nonton berita.Aku adalah seorang penggemar THE BEATLES menurut ku mereka adalah BAND terbaik yang pernah di miliki Inggris dan belum ada tandingan nya sampai sekarang.
Sehari-hari,aku menjalankan kehidupan sama seperti manusia biasa lain nya,kuliah,berorganisasi,ngumpul bareng fren-fren,maen internet dsb.Kehidupan yang berat dengan segala pernak-pernik cobaan menghiasi perjalanan namun aku hanya menganggap nya bagai sebuah pemainan dan aku tidak pernah takut.Tampa seseorang teman special aku merasa aku seperti SUPERMAN yang tidak perlu di jaga oleh orang lain.
How about love? Menurut ku cinta seperti sebuah permainan yang mudah untuk di mainkan, namun sebuah kesalahan akan berakibat keburukan.Seseorang menanyakan kepada ku tentang cita-cita,Aku bercita-cita menjadi seorang programer yang tidak pernah sekolah IT.Yahh…. seperti paman ku Bill Gates itu,he he he.Sebenar nya banyak di antaranya menjadi relawan sosial forever,menjadi mentri anti kemiskinan dan kesusahan.Suatu saat aku akan membahagiakan para wong cilik,gembel,orang yang kelaparan,karena semua itu adalah bagian dari diri ku,kalian semua bagian dari nyawa saya.
TEKKEN
It isn’t for the art. No, the art here is very crisp. Maybe it’s because the writer seems to speak English as a fourth language? Yeah, that might have a role.
In the game, Tekken has a fairly good story to it. It revolves around the Mishima bloodline through the generations. The central three characters are corrupt martial artist Heihachi, his abused and now equally corrupt son Kazuya and Kazuya’s more heroic son Jin Kazama. Both Kazuya and Jin each have bouts with a curse that transforms them into a blue demon known simply as Devil. Namco, the company that makes Tekken, went an interesting path with Kazuya Mishima. Not only did they reveal at the end of their first game that their main protagonist is a jerk, but they seemingly killed him off in the following game. Between Tekken 2 and 3, an entire generation has passed. Many earlier characters are killed off and/or replaced with younger incarnations.
Basing a comic on the Tekken story isn’t a bad idea. The catch here is that they base the comic’s story on Tekken Tag Tournament. Tekken Tag is a game that came out in-between Tekken 3 and 4, featuring nearly the entire cast. It’s a dream match type of game, so there’s no attempt to come up with a story. How could there be a story when Michelle Chang is around the same age as her daughter Julia? Not to mention all the guys who are supposed to be dead.
I guess you could come up with some kind of story if you tried hard enough, but this comic doesn’t use that kind of effort. Nope. The first thing we see when we look past the cover is Kazuya Mishima calmly standing over about 80% of the game’s roster, having beaten them in no more than 20 seconds. This includes powerhouses like Heihachi, Paul Phoenix and the game’s final boss Unknown. All while this is going on, his henchman Bruce Irving is singing “Let the Bodies Hit the Floor” in the background. I fucking hate this comic.
Jin holds Unknown in his arms and damns his father, claiming that he just learned so much about him and himself. What he learned? No idea. Exposition is for lesser comics. Instead, we have Jin easily take care of Bruce and Ganryu.
Once Jin finishes them off, he gets ready to fight Kazuya. We turn away to instead watch as action cop Lei Wulong, some soldiers and the robot Gun-Jack fight off an army of Prototype Jack robots in Egypt. Unfortunately, any soldier who gets into the nearby pyramid is killed off immediately.
Somebody got paid for that lettering job.
Lei Wulong barges in and finds that all those men have been brutally murdered by Bryan Fury, an undead cyborg guy based on Rutger Hauer’s character from Blade Runner. Bryan shrugs off all of Lei’s bullets and bests him in hand-to-hand combat. When Lei asks Bryan if he ever feels remorse for all the lives he’s taken, Bryan asks back if he feels remorse for every time he flushes the toilet.
At the last second, Lei is saved by Deadpool Yoshimitsu, the loveable cyborg Robin Hood samurai. Blaming his lateness on his alarm clock, Yoshimitsu turns it into a two-on-one fight, while admitting that he might need a couple quarters in case he needs to use a continue. Their joke, not mine.
Jin gets his ass handed to him as expected. Jin stands back up and wonders how he can possibly defeat a man with this “toshin level”. They toss that term around a lot without ever really explaining what the hell it means. To make matters more confusing, whenever they refer to the character Ogre, they call him his Japanese name Toshin. Sure, I can figure it out for myself, but this is another example of this comic’s decision to shove you in the middle of nonsense while forcing you to find your way out.
Paul Phoenix gets back up and thanks Jin for giving him time to recuperate. Since Jin’s mother saved Paul’s life at some point, he asks Jin to stand back so he can get a rematch with Kazuya. Jin briefly disagrees with the grammatically problematic reaction, “But Paul I.” Paul ignores him and stands up to his old rival Kazuya. The following two images take place consecutively.
Somebody got paid for those word bubbles.
This time, Paul absolutely dominates the fight, with the explanation that this time he isn’t fighting for himself, but for Jin. He throws Kazuya through the floor while screaming, “NOW GO TO HELL, YOU SON OF A BITCH!!!!!!!!!!!”
Yes, a whopping eleven exclamation points. I think Black Bolt yelling is worth only eight.
“There’s life in this old boy… HHEHEHEHEEE”
“That was amazing sir. Didn’t think you had it in ya.”
“Yup, yup. I am a fatty boom batty. I don’t know about you kid, but I am hunggggrryyyy.”
Jesus Christ, I hate Tekken Forever.
We get an interlude with Jin’s mother Jun Kazama. She’s in a self-induced coma, with the character Angel speaking to her. I haven’t a clue what Angel’s talking about for these three pages, but it has to do with Ogre holding a couple babies and the revelation that Kazuya still has good in him. That’s all I can come up with thanks to my babbling-gibberish-to-English dictionary. By the end of the scene, Jun wakes up screaming with a glowing red thing on her forehead.
Total coincidence, only the good guys have woken up from the Kazuya beatdown from the beginning of the story. Eddy Gordo, Ling Xiaoyu, King, Forrest Law and Hwoarang join Jin and Paul. Forrest and King think Paul is pretty awesome for taking down Kazuya, but Jin and Xiaoyu each think it may have been too easy.
The plan is that they’ll go find Forrest’s dad, beat up Kazuya’s army outside (which hasn’t even been mentioned up to this point) and then Paul will treat everyone to french-fries. Hwoarang, who has a hard-on for fighting Jin, gets in Jin’s face and demands they fight at this completely inappropriate time. Xiaoyu tells him to calm down, but Hwoarang grabs her and flings her into the wall.
The Devil Gene awakens in Jin and he begins fighting with Hwoarang. “Since you want to go to hell so badly, fine!!! I’ll send you, and take the express bus getting there.”
The other good guys hold the two back and calm them down. Jin goes back to his human form. Once things look to be back to normal, King and Jin feel a disturbance in the Force. The hole that Paul tossed Kazuya down earlier glows brightly. With little warning, a geyser of energy pours out and knocks everyone back. A shirtless Kazuya rises and tells Jin that he knows how to make him reveal his true nature: Ling Xiaoyu.
No, I’m pretty sure this is the end of the nightmare, because this comic is over and the miniseries is cancelled. I doubt the other three issues would have been anything more than more well-drawn headaches.
Maybe I’m harder on Tekken Forever than Street Fighter: The Movie’s comic because I expected better. After all, wasted potential is more damning than never having the potential to begin with. Then again, at least I could follow the Street Fighter: The Movie comic. I knew what M. Bison was after. What the hell was going on in Tekken Forever? Kazuya wanted to rule the world somehow? Is that it?
Oh well. At least the comic didn’t have Heihachi wearing his diaper thong. Thank heaven for small favors.
In the game, Tekken has a fairly good story to it. It revolves around the Mishima bloodline through the generations. The central three characters are corrupt martial artist Heihachi, his abused and now equally corrupt son Kazuya and Kazuya’s more heroic son Jin Kazama. Both Kazuya and Jin each have bouts with a curse that transforms them into a blue demon known simply as Devil. Namco, the company that makes Tekken, went an interesting path with Kazuya Mishima. Not only did they reveal at the end of their first game that their main protagonist is a jerk, but they seemingly killed him off in the following game. Between Tekken 2 and 3, an entire generation has passed. Many earlier characters are killed off and/or replaced with younger incarnations.
Basing a comic on the Tekken story isn’t a bad idea. The catch here is that they base the comic’s story on Tekken Tag Tournament. Tekken Tag is a game that came out in-between Tekken 3 and 4, featuring nearly the entire cast. It’s a dream match type of game, so there’s no attempt to come up with a story. How could there be a story when Michelle Chang is around the same age as her daughter Julia? Not to mention all the guys who are supposed to be dead.
I guess you could come up with some kind of story if you tried hard enough, but this comic doesn’t use that kind of effort. Nope. The first thing we see when we look past the cover is Kazuya Mishima calmly standing over about 80% of the game’s roster, having beaten them in no more than 20 seconds. This includes powerhouses like Heihachi, Paul Phoenix and the game’s final boss Unknown. All while this is going on, his henchman Bruce Irving is singing “Let the Bodies Hit the Floor” in the background. I fucking hate this comic.
Jin holds Unknown in his arms and damns his father, claiming that he just learned so much about him and himself. What he learned? No idea. Exposition is for lesser comics. Instead, we have Jin easily take care of Bruce and Ganryu.
Once Jin finishes them off, he gets ready to fight Kazuya. We turn away to instead watch as action cop Lei Wulong, some soldiers and the robot Gun-Jack fight off an army of Prototype Jack robots in Egypt. Unfortunately, any soldier who gets into the nearby pyramid is killed off immediately.
Somebody got paid for that lettering job.
Lei Wulong barges in and finds that all those men have been brutally murdered by Bryan Fury, an undead cyborg guy based on Rutger Hauer’s character from Blade Runner. Bryan shrugs off all of Lei’s bullets and bests him in hand-to-hand combat. When Lei asks Bryan if he ever feels remorse for all the lives he’s taken, Bryan asks back if he feels remorse for every time he flushes the toilet.
At the last second, Lei is saved by Deadpool Yoshimitsu, the loveable cyborg Robin Hood samurai. Blaming his lateness on his alarm clock, Yoshimitsu turns it into a two-on-one fight, while admitting that he might need a couple quarters in case he needs to use a continue. Their joke, not mine.
Jin gets his ass handed to him as expected. Jin stands back up and wonders how he can possibly defeat a man with this “toshin level”. They toss that term around a lot without ever really explaining what the hell it means. To make matters more confusing, whenever they refer to the character Ogre, they call him his Japanese name Toshin. Sure, I can figure it out for myself, but this is another example of this comic’s decision to shove you in the middle of nonsense while forcing you to find your way out.
Paul Phoenix gets back up and thanks Jin for giving him time to recuperate. Since Jin’s mother saved Paul’s life at some point, he asks Jin to stand back so he can get a rematch with Kazuya. Jin briefly disagrees with the grammatically problematic reaction, “But Paul I.” Paul ignores him and stands up to his old rival Kazuya. The following two images take place consecutively.
Somebody got paid for those word bubbles.
This time, Paul absolutely dominates the fight, with the explanation that this time he isn’t fighting for himself, but for Jin. He throws Kazuya through the floor while screaming, “NOW GO TO HELL, YOU SON OF A BITCH!!!!!!!!!!!”
Yes, a whopping eleven exclamation points. I think Black Bolt yelling is worth only eight.
“There’s life in this old boy… HHEHEHEHEEE”
“That was amazing sir. Didn’t think you had it in ya.”
“Yup, yup. I am a fatty boom batty. I don’t know about you kid, but I am hunggggrryyyy.”
Jesus Christ, I hate Tekken Forever.
We get an interlude with Jin’s mother Jun Kazama. She’s in a self-induced coma, with the character Angel speaking to her. I haven’t a clue what Angel’s talking about for these three pages, but it has to do with Ogre holding a couple babies and the revelation that Kazuya still has good in him. That’s all I can come up with thanks to my babbling-gibberish-to-English dictionary. By the end of the scene, Jun wakes up screaming with a glowing red thing on her forehead.
Total coincidence, only the good guys have woken up from the Kazuya beatdown from the beginning of the story. Eddy Gordo, Ling Xiaoyu, King, Forrest Law and Hwoarang join Jin and Paul. Forrest and King think Paul is pretty awesome for taking down Kazuya, but Jin and Xiaoyu each think it may have been too easy.
The plan is that they’ll go find Forrest’s dad, beat up Kazuya’s army outside (which hasn’t even been mentioned up to this point) and then Paul will treat everyone to french-fries. Hwoarang, who has a hard-on for fighting Jin, gets in Jin’s face and demands they fight at this completely inappropriate time. Xiaoyu tells him to calm down, but Hwoarang grabs her and flings her into the wall.
The Devil Gene awakens in Jin and he begins fighting with Hwoarang. “Since you want to go to hell so badly, fine!!! I’ll send you, and take the express bus getting there.”
The other good guys hold the two back and calm them down. Jin goes back to his human form. Once things look to be back to normal, King and Jin feel a disturbance in the Force. The hole that Paul tossed Kazuya down earlier glows brightly. With little warning, a geyser of energy pours out and knocks everyone back. A shirtless Kazuya rises and tells Jin that he knows how to make him reveal his true nature: Ling Xiaoyu.
No, I’m pretty sure this is the end of the nightmare, because this comic is over and the miniseries is cancelled. I doubt the other three issues would have been anything more than more well-drawn headaches.
Maybe I’m harder on Tekken Forever than Street Fighter: The Movie’s comic because I expected better. After all, wasted potential is more damning than never having the potential to begin with. Then again, at least I could follow the Street Fighter: The Movie comic. I knew what M. Bison was after. What the hell was going on in Tekken Forever? Kazuya wanted to rule the world somehow? Is that it?
Oh well. At least the comic didn’t have Heihachi wearing his diaper thong. Thank heaven for small favors.
SITUS-SITUS MANIPULASI FOTO
Pengen nya sii foto kita beda dari yang laen, ga kaya’ biasanya gitu, tapi ngedit foto dengan cara yang rumit males n’ memakan banyak waktu, hmm..disini nih, solusi nya… aku mau berbagi situs editing foto online, yang mana situs- situs ini menyediakan layanan editing foto secara gratis, hasil nya? Wow GILA dan keren dan terkesan sungguhan, cara nya pun sangat gampang, tidak rumit sama sekali, dan juga sangat menipu. Yuk kita telusuri:
1. www.photofunia.com situs ini Menjadikan foto kamu menjadi lebih narsis dan gila, bayangkan aja foto kamu di pajang di baliho besar dan di liat oleh banyak orang, trus kamu menjadi cover sebuah majalah dan di baca oleh cewek cakep? atau foto kamu di pamerin oleh Victoria Beckham atau Paris Hilton? Wow tentu sangat menarik sekali bukan? Cara nya gampang kok tinggal msk ke situs www.photofunia.com trus kamu pilih gaya foto yang kamu mau dengan sample yang telah di sediakan, trus klik ok lalu pilih browse dan pilih aja foto kamu yang kira – kira cocok dan open.. truzz tunggu sebentar, here we go!!! Jadi deh foto narsis kamu trus tinggal di save. Tetapi baik nya jangan memakai foto yang memory nya besar, karena proses nya sangat lama, foto standard akan lebih baik.
2. www.meonmag.com situs ini membuat kamu like a cover boy/girl, kenapa ngga’? di sini kamu bisa jadi cover sebuah majalah, cara nya juga gamapng kok, tinggal siap kan foto kamu trus klik choose untuk memilih foto yang akan di jadikan sampul majalah, jangan yang ratusan kilobyte ya…! Pilih open setelah itu klik create my own cover biz itu pilih salah satu majalah terkenal yang kamu mau, yah.. yang menurut kamu cocok dengan foto nya, truzz jadi de foto nya!!! Situs laen yang serupa adalah www.magmypic.com
3. www.faceinhole.com Mungkin tidak se mudah kedua situs di atas tapi, aku yakin kamu pasti bisa membuat nya. Badan orang lain (super star) tapi muka nya muka kita. Gila ngga’? pilih sebuah template yang mereka sebut dengan scenario gunakan search untuk mencari tokoh yang kita ingin kan. Trus pilih sample yang kamu mau, pilih foto kamu yang kira- kira cocok buat scenario nya, untuk mengatur posisi wajah kamu gunakan tombol arrow di keyboard, kamu juga bisa mengatur brighnes dan contras nya, jika setelah di utak atik ga’ juga pas maka gunakan fasilitas webcam, bila sudah puas klik next untuk menyimpan.
Aku saran kan foto kamu jangan Cuma di simpan aja tapi pamerkan ke semua orang biar lebih afdol gitu! He he he… selamat mencoba yah!!! Sebenar nya masih banyak situs laen kaya’ www.befunky.com www.yearbookyourself.com www.vectormagic.com www.dumpr.net tapi ke tiga di atas menurut saya lebih menarik.
By FADLY AL FARABI
SPECIAL THAKS TO PC MILD
FORMAT VIDEO MP4 PLAYER MERK ALLTRONIX
Kamu punya mp4 merk ALLTRONIX tapi ga ada movie nya? isi nya cuma mp3 buat dengerin music aja? Ga bosan tuh??? Pengen ngisi movie di tuh mp4 tapi ga tau caranya? Atau gak tau converter nya? Neh aku kasih tau: Mp4 merk ALLTRONIX itu format video nya adalah ADVANCE MEDIA VIDEO alias AMV. Caranya gini:
1 .Kamu harus punya video yang mau di masukin ke mp4, format nya boleh apa aja WMV,AVI 3GP,FLV atau apa aja boleh, biz itu kamu download software AMV 4.00, caranya klik di google DOWNLOAD FREE AMV 4.00.Untuk format video 3gp,flv dan video kecil laenya gak bisa langsung di convert menjadi AMV,tapi kamu butuh dua software lagi yaitu 3GP TO AVI dan FLV TO AVI, kedua software ini download aja,banyak penyedia gratis nya. Cara download nya sama dengan AMV 4.00, yaitu DOWNLOAD FREE FLV TO AVI.Video format besar seperti WMV,AVI,atau dari kaset VCD dan DVD bisa langsung di convert.
2. . Biz di download install semua software di PC kamu.Cara install nya kaya’ biasa,next, ok,finish.
3. Untuk video yang berformat besar kamu bisa langsung convert yaitu dengan cara: klik start, all program,klik mp3 utilities,truss klik AMV convert tool, trus kamu tinggal input files trus klik tanda panah 2 buah disana dan tunggu hingga completed. Dan siap untuk di putar di mp4 kamu> gampang khan?? Gratis lagi. Begitu juga dengan video yang berformat kecil, kamu Cuma mengonvert nya menjadi AVI biz itu convert menjadi AMV.
Nahhh.. sekarang mp4 kamu gak ngbosenin lagi.
SELAMAT MENCOBA…….
THANK S FOR U ATTENTION
BY: FADLY ALFARABI
Selasa, 07 April 2009
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